Subject: RE: Questions about two cases of copyright infringement From: Kevin L Smith <kevin.l.smith@xxxxxxxx> Date: Mon, 17 Aug 2009 15:15:38 -0400 |
Rather than analyze these situations as fair use, I would look to the section 110 performance exceptions. For the latter one (it has to have been on a Southwest flight; they seem to have singing stewardesses for some reason), I think 110(4) might except this performance from the public performance right -- it is a performance of "a nondramatic literary or musical work otherwise than by a transmission to the public [that means the YouTube in the museum won't qualify for this exception] without any purpose of direct or indirect commercial advantage and without payment of any fee or other compensation for the performance to any of its performers, promoters or organizers." I think it is a safe bet that the salary the stewardess gets would not be considered compensation for the performance. The real issue would be whether there was any commercial advantage. This might be arguable, but I suspect the cost and uncertainty of making the argument would discourage a complaint. Kevin Kevin L. Smith, J.D. Scholarly Communications Officer Perkins Library, Duke University PO Box 90193 Durham, NC 27708 919-668-4451 kevin.l.smith@xxxxxxxx http://library.duke.edu/blogs/scholcomm/ "Jason Griffey" <Jason-Griffey@xxxxxxx> 08/17/2009 02:56 PM To <digital-copyright@xxxxxxxxxxxxxx> cc Subject RE: Questions about two cases of copyright infringement Those are both really interesting. My take on them would be: Very little risk for the first. Artistic use of material is traditionally given wide leeway for Fair Use testing...but for a more detailed analysis, knowing what was being shown via YouTube (the content) would be important. The second gives me more pause, and for exactly the reasons you outline. I wouldn't be comfortable with that one, vis-`-vis a Fair Use claim. It almost certainly wouldn't have qualified as a parody, as it didn't "comment" on the original (I'm guessing). Jason -----Original Message----- From: Jack Boeve [mailto:JBoeve@xxxxxxxx] Sent: Monday, August 17, 2009 2:35 PM To: digital-copyright@xxxxxxxxxxxxxx Subject: Questions about two cases of copyright infringement SUMBITTED BY MODERATOR ON BEHALF OF ROBERT HOLLEY. Please reply to the list. Thank you. ============ I have some questions about two occurrences during the 2009 ALA Annual Conference and would like to ask for comments on whether two copyright infringers were running any "real" risks for their infringement. In the first case, a professor who was hosting an exhibit at one of the Chicago museums was showing YouTube videos on two monitors in a continuous loop. I asked the professor about copyright permissions. The person answered that he didn't have any. The second case happened as my flight landed in Detroit when one of the flight attendants sang a pastiche of a song from a Disney movie that was certainly under copyright protection given Disney's policies on copyright. I don't think that the pastiche would have qualified as a parody. I thought that this possible infringement was more dangerous because the speech was commercial, the airline has deep pockets, and a Disney executive might be taking the flight. My questions are whether these two cases posed any real risks for being sued for copyright violation or whether these fell under the category of theoretical violations where the people involved were indeed violating copyright but ran little risk of any consequences. Thanks! Bob Robert P. Holley Professor, School of Library & Information Science Wayne State University Detroit, MI 48202 313-577-4021 (phone) 313-577-7563 (fax) aa3805@xxxxxxxxx (email)
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