Subject: RE: Eminem & Weird Al Yankovic From: "Brian Geoghegan" <brian@xxxxxxxxxx> Date: Tue, 13 May 2003 12:11:46 -0700 |
Actually, the problem is that Weird Al's works don't qualify as "parody", as the Supreme Court has defined that term, even though the popular press still refers to them as such. A parody protected as fair use uses the original work TO MAKE FUN OF THE ORIGINAL ITSELF, so it's a critique or commentary on the original work. For example, 2 Live Crew thought Orbison's wholesome, romantic image of women was unrealistically idealistic. So they changed the words to reflect a different reality, one where women were "ho's". Although offensive to Orbison, that was protected parody, because it used the original to comment on the original itself. In contrast, the Court distinguished protected "parody" from "satire", which the Court defined as using a work to comment on SOMETHING ELSE, UNRELATED TO THE ORIGINAL WORK. Satire, thus defined, is not protected. Rather, it's infringement. For example, a few years ago, someone released a book called (I think) "The Cat not in the Hat", which used Seussian rhyme and characters to poke fun at O.J. Simpson. The use of Dr. Seuss' work was unnecessary, and unrelated, to the point of the new work, lampooning O.J. The point could have been made in countless other ways, rather than using the Seuss work as the vehicle. Therefore, the book was found to be infringing. Weird Al's works are more satire than parody, in the legal sense. He doesn't comment on or poke fun at the original works, but creates entirely new, typically silly, themes. For example, "Beat it" became "Eat it", which has as its theme gluttony, which is totally unrelated to Jackson's original theme. This is probably why Weird Al has been so successful getting permission for his remakes; he doesn't make fun of, or belittle, the originals. He just uses the originals to create silly derivative works. So the original owner suffers no embarrassment or other harm, as is usually the case with actual parodies, like the skanky remake of Orbison's "Pretty Woman". But creating silly derivative works isn't protected by fair use, or the First Amendment, and requires permission. ----------------------------------- Brian Geoghegan GeoMark Trademark & Copyright Law brian@xxxxxxxxxx <mailto:brian@xxxxxxxxxx> (206) 282-7199 (voice) (206) 290-6481 (mobile) (559) 328-1442 (fax) Office: 900 Aurora Ave. N., #302, Seattle, WA 98109 Mail: P.O. Box 21914, Seattle, WA 98111 ----------------------------------- -----Original Message----- From: Frank Lowney [mailto:flowney@xxxxxxxxxxxxx] Sent: Saturday, May 10, 2003 4:58 PM To: digital-copyright@xxxxxxxxxxxxxx Subject: Eminem & Weird Al Yankovic I read with interest the news that Eminem has "disallowed" Weird Al Yankovic from parodying his video but not the song. http://www.utusan.com.my/utusan/content.asp?y=2003&dt=0511&pub=Utusan_Expres s&sec=Entertainment&pg=en_08.htm It is my understanding that parody is a fair use and does not require securing permissions from anyone. So, why are all the news accounts of this taking the tone that Eminem has a right to forbid parody? -- ===================================================================== Dr. Frank Lowney flowney@xxxxxxxxxxxxx Director, Electronic Instructional Services, a unit of the Office of Information and Instructional Technology, Professional Pages: http://www.gcsu.edu/oiit/eis/ Personal Pages: http://www.faculty.de.gcsu.edu/~flowney Voice: (478) 445-5260 ===================================================================== We don't make instruction effective, we make effective instruction more accessible.
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