Subject: In The News From: "Olga Francois" <OFrancois@xxxxxxxx> Date: Wed, 18 Jan 2006 14:37:11 -0500 |
------------------------------------------------- France seeks a balance in Internet copyright bill By BLOOMBERG NEWS, January 17, 2006 http://seattlepi.nwsource.com/business/255888_frenchinternet17.html "The French government is reworking a proposal for a new copyright bill in a bid to address concerns of media companies such as Vivendi Universal SA and consumers over the sharing of music and movie files on the Internet." * France planning to rework digital copyright bill By America's Network.com, Jan 17, 2006 http://www.americasnetwork.com/americasnetwork/article/articleDetail.jsp ?id=283603 "France plans to "rework" a digital copyright protection bill to ease restrictions on CD and DVD copying, as well as mete out smaller penalties to peer-to-peer users, an AFP report said." ----- New GPL Is Free at Last By Mark Baard, Wired.com, http://www.wired.com/news/technology/0,70028-0.html "CAMBRIDGE, Massachusetts -- Richard Stallman, author of the most radical and durable license for free-software developers, is updating the GNU Public License for the first time since 1991." ---- Tension grows between labels and digital radio By John Borland, CNET News.com, January 13, 2006 http://news.com.com/2100-1025_3-6027079.html "The entry of satellite and digital radio into the technological mainstream is increasing tension with the record industry, which wants new rules governing how consumers can make digital copies of songs from the airwaves." ----- Video Clips of Interest: Is Google Book Search "Fair Use"? By Lawrence Lessig http://www.youtube.com/watch.php?v=5l2nrbmBQXg * And... http://www.lessig.org/blog/archives/cease-and-desist_640.mov ----- Blog: Google Book Search and the Transaction Costs of Consent By Randy Picker, The Faculty Blog, January 13, 2006 http://uchicagolaw.typepad.com/faculty/2006/01/google_book_sea.html "Larry Lessig posted this week a synchronized set of slides and audio addressing Google Book Search as fair use. The talk runs for 30 minutes but ultimately the core point is simple and I think relatively conventional: transactions costs matter for the scope of allowed fair use. The suggestion here is a transaction-cost based opt-out model: for low-cost of consent holders, GBS has to ask permission, but for high-cost of consent holders, GBS need not ask permission, but instead those holders have to opt out." ------- Some Safety and Reliability Questions About DRM By Victor Yodaiken, Groklaw.com, January 11 2006 http://www.groklaw.net/article.php?story=20060111184253232 "Digital Rights Management (DRM) technologies are supposed to protect digitized "content", like movies and musical performances from being illicitly copied or used. DRM technology is sometimes described as security technology when it is really licensing technology -- something very different. In fact, DRM may decrease security and reliability." ------ The Technocultural Imagination: Life, Art, and Politics in the Age of Total Connectivity By SIVA VAIDHYANATHAN , Social Science Research Network, Jan 15, 2006 http://papers.ssrn.com/sol3/papers.cfm?abstract_id=875471 "Abstract: For the past twenty years, the United States has been experiencing a significant cultural, social, and political shift of which we are only now taking account. The very presence of powerful personal computers, loaded with easy-to-use editing and production software, connected to millions of others at high speed at all times of the day has changed the cultural and political environment radically and irreversibly." ----- Creatives face a closed Net By Lawrence Lessig, Financial Times.com, December 28 2005 http://news.ft.com/cms/s/d55dfe52-77d2-11da-9670-0000779e2340.html Over the past few years, fans of the artists represented by the label Wind Up Records have spent at least a quarter of a million hours producing and sharing more than 3,000 music videos. These videos, however, are unlike anything you are likely to have seen."
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